Tales & Ahlam‘s EP Boussa (“kiss” in Arabic) aims to blend the origins of dance music (Chicago house, hi-nrg, disco, techno) with Lebanese chanson. With a real desire for diversity (social, cultural, generational, and musical) and to represent the multiple identities that make them up. With this in mind, the Franco-Lebanese duo invites these multi-influenced artists to remix their tracks to create a brand new version of the EP: Boussa Extended.

This song came to him in a strange way, almost as if he had anticipated the future. He wrote the track darling and described this breakup before it had even happened. He had a feeling it would be beautiful, yet he kept lying to himself a little.

For this remix, Sara Dziri's intention was to make it more club-friendly, while retaining a certain softness and dreamy dimension, in harmony with the vocals.

Living the moment rather than recalling memories — that’s the idea behind 'tgthr.' Inspired by the sounds and textures of 90s techno and house, 'tgthr' blends raw and organic elements.

It’s about a very specific moment, right after a breakup—the moment when the decision to part ways has been made, but you’re still caught in that "grey area." A period where, despite everything, you keep experiencing things that both leave a mark and slip away.

"MALINGAN" is a club track with melodious tones, marked by a punchy beat and a catchy melody, embodying the new artistic direction of Hey Bony.

Inspired by the dreamlike world of Fakear, Mira Ló crafts a gentle and immersive atmosphere. By reinterpreting a voice imbued with softness, she injects her own groovy touch.

This remix fully embodies the signature sound of Arabian Body Music, a hallmark of Zaatar's style.

Big Ben is a track in which Jeff The Fool experiments for the first time with a Drum & Bass rhythm combined with repetitive vocals that abstractly evoke the world of music and DJs.